Red Clown
A cloacal emptiness enters Tony. The green waves beneath the balcony
come all the way from Morocco. The shafts sink into their breasts.
Godlike, he yawns. A thousand maggots fall from his mouth. Enter the
bulls. Eyelids coalesce, start a fire. It’s monsters a-go-go from here.
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It's All in Your Head
To Walter Benjamin, writing in 1936 and responding to Marinetti’s glorification of war as aesthetic spectacle, fascism represented the consummation of the principle of art for art’s sake. “[Human] self-alienation has reached such a degree that it can experience its own destruction as an aesthetic pleasure of the first order.”
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Picture Imperfect: Encountering Cy Twombly
Narcissus looks into the pool and is captivated by an image. We assume that the image he sees is of himself and so does he. That would seem “self-evident.” But as Lacan noted, the idea that what appears in the mirror is the self, is a profound misperception.
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Fresh Paint: Encountering Christopher Wool
On a rainy ray in April I trudged along Wilshire Boulevard and then up Camden Drive in Beverly Hills--which for me has all the charm of a facelifted celebrity face in premature rictus--to take a gander at Christopher Wool’s latest paintings at the Gagosian Gallery. Inside I moved from painting to painting leaving a snail’s trail of water on the polished concrete floor.
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Stepping in It: The Excremental in Art
When I paint, what am I really doing? Freud’s answer would be that I’m redirecting the complex of sadistic impulses related to what he called the anal stage toward a different object. Instead of playing with my shit, I smear paint on canvas or paper. To sublimate according to Freud, is to channel the libido and its infantile fixations into activities that yield socially valorized objects.
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Warhol and the Poverty of Modernity
Modernism
was by and large a heroic attempt to resist capitalism’s desacration
of culture by finding a refuge for the sacred within art.
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